Michael Madsen Joins Cast of ‘The Genesis of Lincoln’

Michael MadsenMichael Madsen has joined the cast of “The Genesis of Lincoln,” taking on the role of Ward Hill Lamon, the steadfast bodyguard of the 16th president of the United States, in the satirical movie-within-a-movie from Writer/Producer/Director Richard O’Sullivan.

Madsen, no stranger to edgy material, is best known for such films as “Reservoir Dogs,” “Kill Bill,” “Donnie Brasco,” “Mulholland Falls,” and “Sin City,” as well as TV shows like “24″ and “CSI: Miami.”

“The Genesis of Lincoln” reunites Madsen with longtime collaborator, Producer Patrick Durham (“Cabin Fever 2″), whom he worked with on “Don’t Pass Me By,” “The Killing Jar,” “The Bleeding,” “Creepshow Raw: Insomnia,” “Tooth & Nail,” “Cosmic Radio,” “Hoboken Hollow,” and the Hollywood mockumentary “Being Michael Madsen.”

One Night With You

Quirky romantic comedy from Writer/Producer/Director Richard O’Sullivan. When former child star Nikki Monroe’s career is rocked by a series of public scandals, her lecherous agent convinces her to do a reality dating show in order to clean up her image. Things get sticky, however, when she falls for the celebrity-hating bartender hired to pour drinks on the show.

Notes:
Location: Los Angeles
Dan Lashley, Story
Richard O’Sullivan,screenplay
Producers, Richard O’Sullivan, Gilberto Vera, Sandra Rayne Garcia
Music supervisor, Joey Lauren Koch
Production companies: Lost Colony Entertainment, Verge Films.

‘The Genesis of Lincoln’ Welcomes New Cast and Creative Team Members

In the wake of controversial actor Doug Hutchison (“Lost,” “24,” and “The Green Mile”) being replaced in Writer/Producer/Director Richard O’Sullivan’s “The Genesis of Lincoln” by Robin Spriggs (most recently of the USA Network series “Necessary Roughness”), new cast and creative team members have joined the edgy indie satire that is being rushed into production for a Cannes premiere.

Taking over the role of pop star Neely Pepridge is twenty-year-old Castille Landon. A real-life pop star/actress in her own right, Castille is the lead singer of Adam 812, which has opened for the likes of Colbie Caillat, Third Eye Blind, Mitchel Musso (from “Hannah Montana”), and the legendary K.C. & The Sunshine Band. She is one of the stars of the upcoming series “Worker’s Comp” with Morgan Fairchild and Robert Carradine.

“Castille’s the antithesis of everything you think you know about the modern day teen idol,” says O’Sullivan. “She’s a super intelligent, college-educated girl who you’re more likely to find in a corner reading Nietzsche than choking on her own vomit in some disco parking lot. An absolute pro, an old soul, and a fearless performer and artist. She shows up to work, she can be bonded, and we don’t have to worry about including bail money in the budget.”

Coming aboard the project in the role of purity ring-wearing boy band member Jack Rose is newcomer Ethan Itzkow, who has been compared to such actors as Shia LaBeouf and Jesse Eisenberg.

Joining O’Sullivan behind the camera is Emmy-winning Cinematographer Sergei Franklin, whose resume includes work on such films as the Oscar-nominated “The Messenger” (starring Woody Harrelson & Ben Foster), Tyler Perry’s “For Colored Girls” (starring Janet Jackson & Whoopi Goldberg), “P.S. I Love You” (starring Hilary Swank & Gerard Butler) and the Oscar-winning “The Reader” (starring Ralph Fiennes & Kate Winslet), as well as music videos for such artists as 50 Cent and The Roots.

O’Sullivan, who spent a year trying to get a proposed Lindsay Lohan “comeback vehicle” off the ground, wrote “The Genesis of Lincoln” as a scathing parody of show biz culture.

“Everything’s a shitty reality show or a scandal these days…or a shitty reality show about a scandal,” says the New York-based filmmaker, who has himself turned down reality show offers. “I’m so goddamn sick of it I wanna poke my own eyes out sometimes. God bless Daniel Craig for what he said about the Kardashians. There comes a point when you gotta celebrate people for their works and not just because they’re famous for being famous. A celebrity used to be someone who was renowned because of some great art they created, or a life-saving drug they discovered, or a heroic act. Now people are celebrities because they flail around in their own shit on a bullshit TV show. This film lampoons that whole culture in the most vicious and unrepentant manner possible. We’re gonna piss off a lot of people and quite frankly, Scarlett, I don’t give a fuck.”

“The Genesis of Lincoln” is being produced by Sandra Rayne Garcia and Gilberto Vera and will lens in New York in early 2012.

Acclaimed novel, “She Rain”, being adapted for film.

A potentially Oscar-friendly drama about child living as prey to an opium-addicted father, drowning in a gene-pool of lowest expectations, feels shackled for life to the tobacco farms and cotton mill poverty of 1920′s western North Carolina.

She Rain
FOR IMMEDIATE RELEASE

PRLog (Press Release) – Mar 08, 2011 – Beautifully written by Michael Cogdill (27 Emmys and a national Edward R. Murrow Award, his work has appeared on CNN, MSNBC, CNBC, and The Today Show).

She-Rain branches toward one of the least-expected figures ever in a Southern novel. Her mystery begging the question — what might have been, had an African-American infant born of scandal been placed on the arms of one of the grandest American fortunes of the early 20th Century? In the bosom of that fortune, she is raised utterly cloistered, hidden in the clefts of Appalachia, steeped in her “adoptive” mother’s Vassar education, classical piano, and the refinements most mountain people considered as distant and alien as the stars.

When that son of an opium addict (fresh from battling wilderness, a freight train and a white-water river) happens upon her — each in uniquely desperate times — they set off a seismic change to the worlds they’ve known. Driven by what Faulkner might call human hearts conflicted deep within themselves, they rise to meet an adventure compared to that of Cold Mountain and The Color Purple. She-Rain is a magnetic tale that melts the hard rocks of racism, classism, and the violent self-destruction of living down to the worst human expectations. By its contemporary end, this tale has moved readers of both genders to tears.
Entertaining with wild humor, the grit of reality, and a love triangle of the least expected.

Produced by Richard O’Sullivan and Gilberto Vera